A Number Of Interesting Facts On Ceramic Painting

The concept of ceramic or ceramic tile painting can be dated back thousands of years. As a matter of fact, they have been discovered at a number of most erstwhile ruins. The term “ceramic” is derived from a Greek word that means pottery. Nevertheless, ceramic art work has been used prior to the time of olden Greece.

Inception

As soon as human being started out constructing dwellings and civic facilities, he made up his mind to invigorate the space somewhat. Ceramic painting turned into an effective technique to embellish the interior of a house. It was employed on patio walls, roofs, floorings, inside murals and even on outside walls. This particular theme of beautification is so ancient that ceramic tile prints have been recovered at the remains of Babylon, prehistoric Egypt and Greece. The most antique artworks were obtained in Babylon and are reckoned to be 4,000 years old.

Evolution of Techniques

Hardly any practices were ever acknowledged all through the past record of ceramic painting. They were communicated by word of mouth from father to child or from master to pupil. It is apparent that the tiles themselves were manually constructed of clay. The most former tiles were built of clay bricks that were crushed and formed by hand. Subsequently, they were dried out by the sunlight or baked. Afterwards, tools made of wood were employed to give shape to the clay. After the physical structure was formed, the tile was blazed in a kiln. If the tile was not having a shiny coating, it was blazed only once. If it was glazed, then it was blazed two times in the furnace. In the period from 1840 to 1849, artists started to recreate the art on ceramic tiles and made bricks with a dust pressing technique. This technique involved squeezing the brick between two metal blocks.

Enhancing Techniques & Color

Tiles without shiny coating were left uncolored and continued with the shade of the clay. A very old method of adornment was sgraffito. Sgraffito is a practical method where the body is wrapped up with thin potter’s clay and then knocked off to shape a figure. A lucid glaze made by pounding white lead, flint (a form of silica), porcelain clay and china stone simultaneously revealed the coloring of the clay or of the paint used over the clay. This shiny finish permitted artists to paint freely on the clay and rendered the paint capable to remain on the clay. The early Greeks heavily contributed to a manner of ceramic painting known as mosaic. This technique implies cutting off painted tile pieces, then assembling them to make an image or design.

Forms of Decoration

Three forms of embellishment were applied on ceramic. The foremost form of design, used in olden periods, was the tile image. Every brick comprised a piece of an image, and then bricks were set up as one to create one big picture constituted of tiles. The bricks were normally dyed in color and shiny. Single motifs were said to be tiles with one separated design colored upon them. Ceramic was also found with paints of geometric figures.

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